DH Milling
Topographic relief of the Everest region, milled in solid oak with a hand-built frame

One place · one piece of oak · one at a time

The landscape you know,
cut from solid oak.

Pick a mountain, a pass or a stretch of coastline on the map. We turn it into a topographic relief, milled from solid oak using the real elevation data.

Make your own

See the finished piece in 3D before you order.

How it is made
01

Find the place

Search for it on the map and draw a frame around exactly the view you want. From a single valley to an entire massif.

02

See it in wood

The model is built from the same elevation data and the same geometry as your finished piece. You see all of it in 3D, frame included — exactly what you receive.

03

We make it

Your order lands with us and we start straight away. We find the piece of oak that suits your subject, and we do not let it go until it is right.

Close-up of the milled surface, with the oak grain running through the terrain
The material

The grain runs with the landscape

The landscape is cut down into the solid wood, and the grain runs with it the whole way. Wherever the landscape rises, a new line of grain comes up — and they draw themselves as contour lines across the mountainside.

No two pieces are ever alike, not even of the same place. The block is chosen to suit the subject — a quiet piece of wood for an open coastline, one with more life in the grain for a mountain range.

The surface is left as it came off the machine, and finally given a matt hardwax oil that seals the wood without adding shine. The oak comes from certified European forestry.

Wood
Solid European oak
Finish
Matt hardwax oil
Forestry
Certified European
The engraving

The name of the place, cut into the same wood

Name and altitude are engraved straight into the quietest corner of the landscape — not onto a plaque, not onto the frame. The surface is eased flat beneath the text so it stays readable however steep the terrain.

The text is cut into the wood once the relief is finished, 15 mm from the edge of the panel. You choose which of the two bottom corners it sits in — or leave it off entirely, if the piece should stand without words.

Engraving with place name and altitude, cut into the corner of the relief panel
The format

One size, 40 × 40 cm

The measurement is external, frame included. How much ground it covers is up to you — from a couple of kilometres to a hundred.

External
400 × 400 mm
Frame
9 mm wide, 35 mm deep

The relief is milled from 42 mm solid oak and stands 38 mm proud of the frame at its highest point.

Finished relief lying on the workshop floor with sawdust scattered around it
The workshop

Where it is all made

Everything is made in the same workshop. The block is cut to size, the relief milled, the frame assembled and the piece oiled — it passes through the same hands from start to finish. No subcontractor, nothing sent on half-finished.

There is never more than one piece on the machine at a time. The machine takes the hours; the hand takes the rest — the frame, the edges, the oil. That part cannot be hurried.

Follow the workshop

The newest pieces are on Instagram

Each piece is made one at a time, and most never sit in stock. Follow along with whatever is on the machine right now.

Finished relief of Kilimanjaro in solid oak, hanging on a concrete wall
Relief of the Serra de Tramuntana on Mallorca, the coastline cutting through the oak
Angled close-up of the milled ridges, showing the depth of the relief
Corner of the Kilimanjaro relief, place name and elevation engraved into the rebate
Corner of the Tramuntana relief with its engraving, wood shavings across the workshop floor
Macro shot at eye level, the milled ridges standing up like a jagged comb
@dh.milling

Which landscape means something to you?

Find your place
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New pieces, subjects I think are worth seeing, and once in a while something for sale. Roughly once a month. You can unsubscribe from the bottom of every letter.

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